Studio tour: The stuff around us
We have finished (well, we still need to make a movie) our "Spirits of the Forest" project, school's out, so no more teaching and most clients are away on holiday so let me use the time to show you round the place, you see, we moved about 4-5 months ago and sadly the new place didn't allow for a separate studio so we've engaged in a strict Not-too-much-stuff regime as the boundary between work and living has been blurred. This doesn't mean minimalist Scandinavian living like in the mags - objects feed our brains, so here are some objects that made the cut:



Don't be fooled, the clipboard look neat here, but the truth is that the photo was taken RIGHT after they got up in that old magazine rack. Also, we have more than one magazine but one is allowed in the rack at a time - at the time it was an issue of the always mind blowing Raw Vision. Right now, there are two issues of It's Nice That (3+4), Latest issue of CUT, an old Lodown, a print sample of a parenting mag and The Guardian from June 11th (We miss The Guardian so Chris of Garudio Studiage with whom I used to teach at Central Saint Martins sent us a copy back in June - If you want to send us a copy of The Guardian in exchange for anything bar our souls, please get in touch.

The candle was Mr. Mio's christening candle - a German tradition. The standard ones were pretty awful in that religious way so we made our own.

The glasses were from an optician that closed shop, they're carved in wood and the hands are from an old glove factory, someone I shared studio with once got them for a project.



Ah, the odd mix of light switches and plug sockets from different eras , the fake Pikachu one and the feather one are pretty random, the tache one was in our old studio too.



Art we like.
Some from friends, some from former students, some from former versions of ourselves, some are just nice, like the Letraset sheet there are a few things that ought to be there that aren't.



Wallpaper archeology.
I stripped of some of the newer layers of wallpaper - probably in impulse stemming from my childhood. On that wall are a couple of jumping jacks Annabelle made and a big green F that I found in a town called Ebeltoft which sounds a bit like someone the Moomins might know.



A mirror that still hasn't been put up reflects Annabelle working on something by the window that hosted The Sage, The Basil, The Rosemaries, Helen's Tomato, Pale Dill, Father Thyme, Dead Hot Chili Papas and a toner cartridge waiting to be sent to the recycling place.

That's it, I need to design some stickers for a secret club now. And you need to scoot over to that same club to join the mailing list, we have good things coming. Including stickers.

Repotting without tearing too many roots
As our move to Denmark gets closer a very Scandinavian melancholy is creeping in and mixes with hopes, so I figured it would be sobering to write these thoughts down, you see, wherever you are, there are things that bug you - here it's stuff like the quality of bread, housing standards, the government and rush hour travel, it's watching people letting crisp bags fall from their hands when they're done and the realisation that you might get knifed if you say something. In Denmark, it's the selfishness of people, the quality of art, the government and people littering, but I want to focus on the good stuff, because going away from your native culture for a bit is the best thing you can do to your brain, I have learned so much in these few London years and what I will miss from London is:



The edge. There is so much of it here, it's a hard place sometimes, but accept that and London opens up.
Victorian/Edwardian/bodged aesthetics. I cannot yet full explain this. I've sometimes tried to tell students that "Things decay differently here." and gotten blank stares. Fretwork is a part of it, handwriting a sign instead of printing it in Comic Sans and laminating it is another.
Connectivity. Whatever you do here, there's someone who will understand



What I will appreciate more than I used to in Denmark will be stuff like:
Roots/Tradition There is some crazy stuff there that I've taken for granted.
The sea I'm baffled by the fact that we have all this sea and very few of us seem to use it.
Quality of life. It's the little things, heating that works, a fridge that can hold more than 4 pints of milk, a small town where you can walk anywhere in 30 minutes.

So there you have it. It looks like I'm giving up on inspiration for comfort, maybe a bit, but in doing that I am forcing myself to bring some London to the table, I must be the edge, I must be a driving force of an interesting aesthetic, I must connect.

The cool thing about these two lists, is that it wouldn't work the other way around, I couldn't bring the sea, a Scandinavian quality of life and folk traditions here to the same extent.


a secret club badges, if you'd like one, it's yours.

A secret club will be a major part of this, we will continue and expand our work with playful communication, collaborative play, memory and alternative teaching and this will have to happen in whichever way possible, both on an official level but also in more guerrilla ways.

We will not sever our roots in London, Aarhus is not far away and we have some brilliant projects lined up, so I will be seeing you.

The studio is moving to Denmark for a while and before the move, the studio needs clearing out so head to ebay for some very limited edition The See prints, starting price is 14 squid - normal price is 150 that's more than a 90 percent discount (unless there are more of you that really want this.)



Until 15th February you can get your paws on some misprinted screenprints + rare extras at the bigcartel store. After that date they'll be recycled. (except I might want to keep a few, some of them are pretty amazing mistakes.)

Lighten my load and get some good stuff on your walls.